Star Trek : The Cage

September 30, 2014 in Guest Blogs, Star Trek by GuestBlogs

A Guest Blog by Mindless-Droid

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This week we go back to the beginning of Star Trek with The Cage or actually before the beginning. The Cage was the original pilot episode that the network rejected. This week I thought I would take a look at the actual episode and next week discuss its amazing history.

After a dangerous mission on Rigel VII the USS Enterprise commanded by Captain Christopher Pike is on its way to the Vega colony to recover when it picks up a distress call from an Earth vessel The SS Columbia that disappeared eighteen years ago. Without proof of survivors Pike decides to ignore the call but a second message indicating survivors changes his mind. On arrival at Talos IV Pike leads a landing party to the surface and discovers the survivor’s camp but it is an illusion placed in the crew’s minds by the native Talosians and Pike is captured and taken underground. As the Enterprise crew tries to figure out a way to rescue their captain Pike learns that he is a specimen in a cage which he may never escape.

A quick little observation if you notice the details several crewman have bandages from the ships encounter on Rigel VII which sets up the discussion between Pike and Boyce. I like how they set up the relationship between Pike and Dr. Boyce. You get a sense that they have served together awhile and that they are good friends. It was also a great way to show Pike’s concern for his crew and how the weight of command falls on him this would be important later in the episode. A nice bit of foreshadowing and when Boyce talks about two kinds of customers the living and the dying it is a nice parallel to the Human civilization and the Talosians. Their discussion also has some nice foreshadowing.

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I always liked Number One her character is very interesting and the first in a long line of Roddenberry’s forward thinking and optimistic vision of the future. Arriving at Talos IV we get our first look at the transporter room and a beam down. The idea of beaming down to a planet was actually a cost cutting device it was much cheaper and easier to create the transporter effect then to land the ship on a new planet each week. There is a slight mistake when Tyler talks about the time barrier being broken if faster than light travel was only just discovered then there would be no way the Columbia could have gotten this deep into space but that’s what recons are for and it really is a minor mistake given the time the episode was produced.

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The first look at the Talosians and the eerie music surrounding them really pushes home the idea of an alien culture. The makeup and effects of the Talosians was really well done from their large heads indicating superior mental abilities to their pulsating veins as they used that mental ability really made them alien but not over the top monster of the week alien.

The laser guns were a nice prop and precursor to the hand phaser. The laser canon tied to the ships power was a prop I wish we would have seen again in the series. I like the eerie music as Pike observes the other aliens in the Talosians menagerie.

The briefing on the Enterprise is another good way they showed how powerful the Talosians mental powers could be it set the table for what was to come. The next scene is the first complex illusion the Talosian force on Pike and you get an idea of their real motivation. Vina is the only constant on the planet and the only survivor that wasn’t an illusion. The Talosians were forced underground due to war centuries ago and in the confined space focused on developing their mental abilities but at the cost of everything else. It is the Talosians goal to breed a stock of humans as basically slaves to serve their civilization as they have become too dependent on their illusions and have forgotten the basics of living as Vina explains they can’t even maintain the machines left by their ancestors.

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A quick aside Susan Oliver who portrayed Vina was an accomplished pilot in real life with quite an impressive resume. The matte painting of the Rigel VII castle with the large moon behind it is quite impressive and would be seen a lot during the run of the series in the closing credits. During the fight sequence I like how Pike fights the illusion trying to maintain his reality. Those Talosians sure are creepy. I like the contrast between Pike and Vina Pike resisting the lure of illusion and Vina who has succumbed to it. When the laser canon fails Boyce is right about the Talosians making it appear that it failed but would that mean one or more Talosians would have to concentrated constantly to maintain the illusion.

The scene as Vina explains the Talosians history is quite interesting but it gives Pike confirmation of his suspicions. The one thing I don’t get if Vina is real how the Talosians make her disappear in that scene and previously on the surface. I’d have made the vial with the nourishment turn into shrimp and steak but it shows Pike’s determination not to give in to illusion. Next Pike is taken home to Earth as he discussed with Boyce in his cabin earlier by the Talosians and the lure of living an illusion with Vina becomes harder to resist. It’s also one of the only times we see Star Trek era earth in the series.

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Pike resists and suspects that emotion of hate and anger block the Talosians mental abilities but as Vina explains it is hard to keep up and that the Talosians wear you down with punishment and temptation as Pike now whisked away to Orion where Vina is now the infamous Orion slave girl and I know that song will be stuck in my head for a couple of days now. Pike has resisted every illusion so the Talosians aware of the Enterprise beaming down a rescue party fool the crew in to only beaming down Number One and the Captains Yeomen so Pike has a selection. Through it all though Pike is shown to be determined to escape.

Back on the Enterprise Spock determines that all is lost and attempts to leave but the Talosian prevent them from doing so. Spock even orders rockets to be used to escape another out of place reference but understandable given it was the pilot.

Pike’s determination pays off and he along with Vina and the others escape to the surface but it is what the Talosians wanted. Pike shows his devotion to his crew as he volunteers to stay as long as the ship is safe. The Talosians having scanned the Enterprise’s memory banks realize that the human need for freedom makes them unsuitable for their needs and frees them. Pike offer diplomatic solution but the Keeper says that humans would learn the Talosians power of illusion and destroy themselves too. Vina decides that she will stay and to prove that her desire is an honest one the Keeper show Pike her true appearance. She was badly injured and deformed to the point of great discomfort in the crash as the Talosians didn’t know how to put her “back together” and the Talosians gave her an illusion of beauty. As Pike prepares to leave the Talosians show him that Vina has the illusion of happiness with him.

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I really like this episode. I can understand why the network at the time turned this down as it was something other than what science fiction had become at the time. It was much more then just the monster of the week. The pilot was truly a ground breaking moment even though it was at first rejected it opened the door for the actual series. The Talosians were very interesting aliens and in the end not as evil as you thought they were. I liked this crew of the Enterprise and it’s interesting to think what the series would have been like had the network approve this pilot. Since there are no red shirts in this episode none were harmed actually no one was harmed except the warrior on Rigel VII. Next week a look at the history of Star Trek’s beginnings.

Doctor Who: Initial Reactions to The Caretaker

September 28, 2014 in Dr Who, Guest Blogs by GuestBlogs

A Guest Blog by Hevy782

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The year is 1963. The Seventh Doctor walks into Coal Hill School and is greeted by the headmaster, who assumes he is there for the job of caretaker. In actual fact, he is there looking for a Dalek matter transmitter. Over fifty years later (relative time that is), he returns to fight another alien menace. This time he decides to go for a more covert approach and takes the job as caretaker, an interesting idea for a story and one which was presumably inspired by a certain throw-away line from Remembrance of the Daleks back in 1988. This is a nice nod to fans of the classic series and isn’t the only one in here, there are quite a few others if you keep your eyes open. So the story is written by both Gareth Roberts and Steven Moffat, the third one co-written by the latter so far this series which is quite unusual but given all the Clara and Danny stuff that goes on here you can understand why. As for Gareth Roberts, this story bares a lot of similarities to some of his previous efforts like The Lodger and Closing Time so if your a fan of those episodes, like me, then you’ll probably find some enjoyment in this one. If they weren’t your cup of tea however then you may struggle to get into this one a bit.

The Skovox Blitzer is said to be one of the most deadly killing machines in the galaxy and it doesn’t exactly look as threatening as it sounds. Despite this, it is rather nicely designed and a nice step away from the typical bipedal look. However, it’s very much in the back ground in this episode and is only really there as a catalyst for the Doctor and Danny finally meeting. The means the episode is slightly more of a relationship drama akin to the kinds we saw in Matt Smith’s run with Amy and Rory. This means it’s mostly a three-hander between the Doctor, Clara and Danny with barely any involvement from anyone else, with the possible exception of Courtney. Now some people seem to have had a real prejudice towards child actors in Doctor Who and given Nightmare in Silver I can see why. Ellis George, however, is good as Courtney and while she’s nothing spectacular she’s not terrible either.

Now let’s move back to the Doctor and Danny for a moment here. To me the biggest flaw in this episode and the one that really annoys me is the way the Doctor acted towards Danny. It felt so forced in the writing and I’m not sure where the Doctor suddenly developed this bitterness towards soldiers from. He’s not always been completely satisfied with the military way but one of his best friends was the Brigadier (who, incidentally, also became a maths teacher after leaving the army) and he was involved with UNIT for quite a long time. The whole thing just felt so forced to me and made the Doctor himself somewhat unlikeable in this one. I’m fine with the Doctor acting like this around people but please give us a good reason so we can see the Doctor’s point of view on these types of things. Danny being an ex-soldier is not a good enough reason. Danny himself was good in this episode and him and Clara make a far more bearable couple than Amy and Rory did. His heroic summersault felt slightly contrived but other than that he came across as a good, strong character in this. Now for Clara who’s stuck in the middle of all this and looks quite torn in this one. Jenna Coleman once again delivers a fantastic performance and her character is finally on track after the rocky start she had in Matt Smith’s era with the whole impossible girl plot sapping away most of her room for character development. Finally we have the ending where we once again return to heaven. It’s an interesting scene and the window tease was nicely done. I’m intrigued as to what it could all mean for the finale and am hoping it doesn’t turn into another timey-wimey mess like we had for all of Matt Smith’s finales.

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Overall, a definite improvement over last week despite its flaws and I think it’s a definite seven-out-of-ten on this one. We’re now half way through series eight and next week’s episode, Kill the Moon, looks to be absolutely incredible and is the episode I’ve been the most excited for. It looks to be incredible and hopefully it won’t disappoint but until we find out for sure, be sure to sound off your thoughts on the episode in the comments below.

Quatermass: The Quatermass Conclusion

September 28, 2014 in Cult TV, Guest Blogs by GuestBlogs

A Guest Blog by Hevy782

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Now up to this the Quatermass serials have all had this gritty realism to them and were quite grim at times but none of them can prepare you for the bleakness that this has to offer. It is a bloodbath and has barely any hope on offer. Nigel Kneale goes away from the sci-fi thriller roots a bit here and instead goes for a distopian and almost post-apocalyptic story with his fourth instalment. But before I go any further let’s get a bit of context about the production first. It is 1979 and it’s been twenty years since Quatermass was last on TV with Quatermass and the Pit in 1959. Multiple talks had been in place with Kneale since then but nothing really came of them. One of them that came close however was in 1973 when a script was completed and model work had begun. But shortly after this the BBC got worried about the cost of the production and felt it was too grim for their vision and the time and so ended it. When it seemed like all hope was lost, Euston Films (a subsidiary of Thames Television) picked up the unmade scripts after the interest in science-fiction had risen thanks to the popularity of Star Wars. Euston Films made it entirely on 35mm film and as such we’ve got a very polished finished product which, as Nigel Kneale has said in previous interviews, was much more lavish than either he or the BBC had ever contemplated.

Unlike previous Quatermass serials this one is only four parts, but each part is now fifty minutes to make up for this and also makes it the second longest Quatermass serial in terms of run time, with Quatermass and the Pit taking first place. There was also a one-hundred minute film version which was an edited down version of the serial intended for sale outside of the UK. The original four-part version was actually simply titled Quatermass but because ”Quatermass: Quatermass” is a rather odd title for a post we’re going with the title of the film version, The Quatermass Conclusion. The story is set in an alternative version of the late twentieth century, which at time of broadcast was in the near future, and sees a much older Quatermass looking for his lost daughter. Meanwhile, society is on the downfall and gangs swarm the streets. Some escape to the countryside to find safety while others join the planet people, a curious cult who believe they will one day be transported to another planet. But compared to what’s about to come this all seems irrelevant. Something is waiting out there in space, waiting to begin the harvest.

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This time around Quatermass is played by a fourth different actor in just as many stories with John Mills becoming the sixth actor to play the title role. Mills himself had only one television credit to his name before this although had appeared in many films. He was initially reluctant to take the part but was convinced because his wife liked the script. Joining his was Simon MacCorkindale as Joe Kapp, an astronomer who had moved into the country with his wife and children to escape the chaos in the cities. MacCorkindale was very happy to take on the role as it was a change from the romantic roles he found himself becoming typecast as. His character’s wife, Claire Kapp, was played Barbara Kellerman and meanwhile behind the camera was Varity Lambert as executive producer who had found fame as the first producer of Doctor Who and had since carved her self out a very good career.

Now we find ourselves at the spoiler free analysis of the serial so no worries yet if you haven’t seen it. Speaking of that, I recommend you do so as soon as possible as it is absolutely incredible. It’s packed full of much more genuine emotion that its predecessors and there are some real tear-jerking moments that really come as a surprise after the last three. It’s also, as previously mentioned, unrelentingly grim and is most defiantly not for the faint-hearted. There are moments in this that’ll really shock you and others that bring a lump to your throat. It really is gripping stuff and it’s rather scary how easily our world could turn into the one portrayed here. John Mills gives a good performance as an older version of the Quatermass we’d seen before. There’s a real bitterness about him as to how the world turned out and how space travel, something his whole career had been based around, had turned out. It’s almost as if Nigel Kneale’s getting across his disappointment as to how space travel turned out in real life (a game of politics) rather than the way he and many others envisaged which was portrayed in the previous Quatermass serials.

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Now the next two paragraphs will be dedicated to the spoiler section of the review so once again, if you don’t want to be spoiled then skip to the conclusion. They gone? Good, now let’s talk about something which has sort of become a tradition to begin with in these Quatermass posts and that is the ending. It’s another downbeat one, this time with the demise of the titular character himself, Quatermass. Now in a bloodbath of a story like this it’s hard to expect the main character to come out unscathed but nevertheless his sacrifice is still quite shocking. It’s not a sudden thing either, he planned it all out and had no intention of backing out either. But even with this knowledge there’s still that thought at the back of your head that he’ll find a way out. Having him see his granddaughter once again in his last moments of life is quite touching too and having her help him press the button is another powerful moment. We had her teased throughout the story but Kneale waits until the end to pay those teases off. It kind of robs her of any individual character development and leaves us without a proper conversation between the two. But while we loose one powerful moment from that we gain another so I guess that makes it ultimately worthwhile and we then finish off with a nice, solemn monologue and the sounds of a familiar nursery rhyme.

Now Quatermass’ death isn’t the only one in this, far from it. In fact there’s so much death in this that the dust from all the bodies has turned the sky green. Joe Kapp goes through a lot in this story and has an emotional breakdown in the second half when it dawns on him that his wife and children have been harvested. There’s even a real gruesome scene with the charred remains of his dog which would probably never get past the sensors today. The unfortunately means that his ultimate death in the final part is slightly unsatisfactory when he’s merely gunned down by one of the Planet People. Now while I said earlier that Quatermass’s granddaughter doesn’t get any character development that doesn’t mean that the portrayal of women in this story is bad, quite the opposite actually. On the whole Kneale has been quite good with his representation of women and while the first three Quatermass serials weren’t ideal in the representation of women (each containing only one major female character) they were defiantly pushing boundaries for their time with each of these women being strong and well rounded characters. Move forward to this story and we have quite a few well written female characters each trying to make their own way in this depressing world. The most notable of these is Annie played by Margaret Tyzack. She comes across as a very human character and has some great interaction with Quatermass throughout. Her rather simple death in a car crash basically sums up what kind of world this is. The alien menace itself is never seen and only spoken of as being in space, harvesting life bellow. It’s menace is achieved very effectively and it’s effects are devastating.

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Overall, its absolutely brilliant although I probably would place it third out of the four, simply because I love the atmosphere and ideas on display in Quatermass II and Quatermass and the Pit more. Nevertheless, all four Quatermass serials are well worth watching and they range from political thrillers to post-apocalyptic dramas. There is not a single dud which is not an easy feat to accomplish and they’re not one-hundred percent perfect (nothing ever really is) they are still worth watching. So with no more Quatermass stories to review, what are waiting for. Go out there and watch them if you haven’t already and be sure to share your thoughts on them here once you’re done.

Doctor Who: Initial Reactions to Time Heist

September 21, 2014 in Dr Who, Guest Blogs by GuestBlogs

A Guest Blog by Hevy782

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On the onset of series eight I had high expectations, and now five episodes in the only thing that has consistently liven up to and exceeded those is Peter Capaldi. He was born to play that role and is definitely my favourite of all the Doctor’s since the reboot in 2005. So what about everything else. Well, we were promised time and time again a raw new direction and despite some steps taken towards this in Into the Dalek and Robot of Sherwood we now seems to of veered back with Listen and now Time Heist. Maybe it’s yet to come and the second half will be better (Kill the Moon looks to be exceptional) but at the moment it still feels like the same old show we had when Matt Smith was in the lead role. Now Stephen Thompson has returned for his third script (this time being helped by Steven Moffat) and given his track record so far I had no great anticipation for this episode. The trailer excited me a bit but this then dropped again later in the week and when it finally came to the episode I was in no great rush to watch it. Now that I’ve watched it, I can safely say that my fears were confirmed.

Let’s start with the Teller. Now visually it’s a striking creation and is definitely one of the best practical monsters we’ve ever seen in Doctor Who. The idea behind it is also a rather nice one too although the way it’s actual attack is realised is rather unfortunate, despite the effect on the victim being horrifying. And then there’s the resolution which treads across the same ground as Hide did, and it’s not the safest of grounds to tread on either. Moving on from that we have the Doctor and Clara’s fellow bank robbers, Psi and Saibra. They both at first seem to have quite moving and power deaths, in fact I was half expecting Missy to show up with one of them and was almost disappointed when she didn’t. But then we soon discover why this was the case when they came back and it was revealed they didn’t die at all. Not only did this take away the power of their original death scenes but brings back one of the things which absolutely ruined Matt Smith’s era for me. If you appear to kill off a character and then subsequently bring them back to life, then it takes away the gravity of all future deaths and makes death into a big joke. I think it’s safe to say that Moffat doesn’t like death that much (as yet again we have another episode where everybody lives) but it’s getting to the points where it’s just ridiculous. Getting back to the characters themselves though, they were well played, mostly well written and also follow a trend for this series in that they challenge the Doctor’s sometimes controversial decisions.

Now then, let’s talk about the direction. Douglas Mackinnon is once again at the helm after directing last week’s episode, Listen, and is the only Doctor Who veteran of the series in terms of directors. He does do some really nice stuff in the first fifteen minutes that really fit with the Heist theme of the episode but after this he just seems to point an camera at the actors and shoots. I really do hope Ben Wheatley returns in series nine as his direction has been the best so far and is some of the best Doctor Who’s ever had. He’s got some real talent behind the camera and it would be a shame for them not to take advantage of it. Douglas Mackinnon is of course returning for one more episode this series so let’s hope he brings to Flatline what he brought to the first third of this rather than the last two. Speaking of what’s going on behind the camera, you can definitely feel Moffat’s input on the scripting with yet another female villain who falls into the same category as all the others (and this time has even less screen time) and we also have another timey-wimey plot, oh joy. Now I said earlier about Moffat not appearing to like death and it also appears he doesn’t like villains that much as we have yet another story which appears to be totally devoid of one. Ms Delphox, or Karabraxos or whoever she is, eventually gets redeemed and even when she was a villain she wasn’t a very well developed one. I’m not sure why Moffat doesn’t like villains but to me it’s one of the fundamental flaws of his stories as without a villain there can be no drama. In my opinion, a villain is one of the main things which drives as story forward so when they’re lacking in it creates is a big problem. Finally, we have this stories contribution to the overarching story, or more accurately it’s lack off. Now I’m all for stand alone stories but this one wasn’t even a very good one and all we got here was the woman in the shop reminder, how unfortunate.

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Overall, my least favourite episode of the series so far but I guess every series has a dud so let’s hope this is the only one. However, it did have some redeeming qualities so a four-out-of-ten will just about do this one. Now I want to firmly establish that I don’t go into an episode wanting to hate it, on the contrary I really want to like then but if these trends keep up throughout this series then my anticipation for them before hand is really going to slip. Now with that said, let’s talk about next week’s episode, The Caretaker. It doesn’t look amazingly strong at the moment and seems to be more of a relationship drama focusing on Clara but maybe this one will surprise me and turn out to be one of those hidden gems. But until next week be sure to sound off your thoughts on the episode in the comments below.

Farscape: Meltdown

September 20, 2014 in Farscape by Firebird

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Talyn draws dangerously close to a star, pulled by some mysterious force. Coinciding with this event is the appearance on board of two alien beings: the timid Sierjna and her captor, Mu-Quillus. Crichton and the others learn that Mu-Quillus is responsible for the radiation pulses that are compelling Talyn to fly into the sun and that eighty-three Leviathans have already died in this way. Stark makes a pact with Sierjna to free her spirit from Mu-Quillus and let her pass into the afterlife. However, Stark is acting of his own accord, and his quest to save Sierjna puts the rest of the crew in dire peril.

Synopsis

A Talyn episode again. This one gives us Stark as a temporary, and predictably unstable pilot (despite Peacekeeper engineering Talyn has still grown a rudimentary pilot’s den).

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Damaged by his first approach to the star Talyn starts giving off a stimulant hormone which has varied effects on the crew. Rygel starts eating, and just can’t stop. Crichton and Aeryn get very amorous …

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Crais becomes more aggressive than usual and Stark … well frankly he’s so far out to lunch normally that I couldn’t see a difference. Luckily the two love birds manage to get themselves back under control in time to save the day, firing Talyn’s canon at the source of the radiation pulses, killing Mu-Quillus and incidentally allowing Stark to free Sierjna.

Quatermass: Quatermass and the Pit

September 17, 2014 in Cult TV, Guest Blogs by GuestBlogs

A Guest Blog by Hevy782

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With the character of Quatermass still very much in the public’s mind, the now freelance writer Nigel Kneale was hired to write a third serial in 1957. With a larger budget and an extra five minutes per episode, Kneale wrote the serial as an allegory for the racial tensions that were currently surfacing in the UK. This is very probably the most popular and well known of the Quatermass serials and is often looked upon as a genuine television classic. In this third story a pre-human skull is unearthed in a building site in Hobbs Lane and palaeontologist Doctor Matthew Roney calls in his old friend Professor Bernard Quatermass. Together they discover an impenetrable space ship and learn of ghost sightings dating back decades. There is an ancient mystery at Hobbs Lane which dates back millions of years, and that mystery threatens to wipe out all life on Earth. The devil himself is coming for a final reckoning, and Quatermass is the only one who can stop him.

This story was made just before video tape became general at the BBC and so was once again telerecorded meaning we have all six episodes for our viewing pleasure. We also once again have a different actor playing the title role, the third one in just as many serials. This time, André Morell is Quatermass and his interpretation is often viewed as the definitive one. He was originally offered the role for the first serial but turned it down. Joining him this time around are Doctor Matthew Roney who is played by Canadian actor Cec Linder and Colonel Breen played by Anthony Bushell, who was often cast in military roles. Rounding off the main cast were Christine Finn as Barbara Judd and John Stratton as Captain Potter. For the first time, this serial features a returning character other than Quatermass. Journalist James Fullalove from The Quatermass Experiment makes a return here albeit played by another actor, Brian Worth, as Paul Whitsun-Jones was unavailable.

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As you’re probably all aware by now this is the spoiler-free section of the review so if you’re sensitive about that kind of stuff this part’s been given the all clear. Now you may recall I did a review of the Hammer film version of this a while ago so how does this shape up against the film? Well they each have their own things going for them. Of course the film has a bigger budget but that doesn’t necessarily mean a better end product. The TV serial, however, has a much longer run time but does that mean it’s more developed or just moves at a snail’s pace. Well the simple answer is that the film doesn’t feel rushed but the TV serial doesn’t feel slow, which is quite an accomplishment given the vast difference in the length. The TV serial’s length is great for additional characters such as Captain Potter who are virtually non-existent in the film and it also helps to rack up the tension, not that the film doesn’t. One thing that the TV serial definitely has which is better is André Morell as Quatermass. While Andrew Keir is by no means bad, André Morell is just the definitive Quatermass and I entirely agree with popular opinion on that one. He just plays it so well and comes more in line with Reginald Tate’s portrayal of the part than John Robinson’s so for those of you who preferred the original then you’ll definitely like André Morell as Quatermass.

Now for the spoiler section of the review so if you want to avoid spoilers then skip to the end. You have been warned. Are they gone? Good, now let’s get into things but starting off with the general premise. The idea of aliens being responsible for human evolution isn’t an uncommon one but it’s something I can’t think of an example of from before Quatermass. The idea of the devil being an alien though is a bit less common and is only really used when paying homage to this. There is one Doctor Who story that has both these things among many others. The Dæmons was from 1971 and was definitely inspired by the ideas here, although the tone is completely different. Now let’s talk about Colonel Breen who is, in effect, the main antagonist of the piece. Now while he’s not necessarily evil, he is Quatermass’s main obstacle in convincing the public of the dangers of the spaceship. It’s unclear whether Breen was under the influence of the spaceship or not and with little things like this it’s nice to have that ambiguity to allow the viewer to make up their own mind. His death, however, was much more graphic and frightening in the film. In the TV serial it’s hard to tell whether he’s dead or just in a trance. Also, I do feel the film does the ending slightly better and more downbeat, but arguably that’s aided by the budget.

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Overall, it is amazing and Nigel Kneale has a way of writing in which things take their time to happen but the tension is racked up to the extreme. He is truly at his best here and, as you’ve probably guessed by now, this is my favourite of the four. Highly recommended, even if you haven’t seen the first two. They’re all really self contained so you’re free to watch the first three in any order. The fourth, however, is another matter. Why? Well we’ll be taking a look at that next time in the final chapter in this epic story.

Star Trek : Turnabout Intruder

September 15, 2014 in Guest Blogs, Star Trek by GuestBlogs

A Guest Blog by Mindless-Droid

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This week’s classic Star Trek episode is Turnabout Intruder. It is the last episode of season three and the last episode of the original series. The Enterprise answers a distress call from a scientific expedition on Camus II. Upon arriving the landing party finds only three survivors. One of which is Dr. Janus Lester an old flame of Kirk’s who despises Kirk for her inability to achieve command of a starship. Leaving Kirk alone with Lester the others leave to see to an additional survivor. While alone Lester who is not injured traps Kirk in an alien machine that can transfer the life essence of an individual from one body to another. Lester uses the machine to switch bodies with Kirk and take his place as Captain of the Enterprise.

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Although Lester knows the ins and outs of a starship captains duties her hate for Kirk and her insanity prevent her from pulling off the ruse. After Spock becomes suspicious of Lester in Kirk’s body he goes to Kirk in Lester’s body and using the Vulcan mind meld learns the truth. After Spock tries to free Kirk/Lester a court martial is ordered by Lester/Kirk. After hearing Spock’s story and seeing Lester/Kirk’s irrational behavior the crew refuses to obey her orders and she loses control of the mind transference briefly. Dr. Coleman Lester’s accomplice says that the only way for the transference to remain permanent is for Kirk/Lester to die. During the struggle in which Coleman and Lester/Kirk try to kill Kirk/Lester the transference weakens and is eventually reversed.

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I really like the re-mastered planet shot. Camus II now has rings like Saturn. Other than that this is really a forgettable episode. The part of the episode that just makes it bad is the statement by Lester that “Your world of starship captains doesn’t admit women” something that goes against what Star Trek’s vision of the future embodied. I guess one thing you could say is that Shatner’s performance as Lester trapped in his body had that campy sci-fi feel but that doesn’t even make the episode watchable. At least no red shirts were harmed in the final episode. It is too bad the series was canceled before its time and didn’t get a proper ending. Just like another great sci-fi animated series did recently. At least they made up for the lack of a nice ending with Star Trek VI.

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With this being the last episode of the original series I can’t help but to wonder what could have been. Star Trek was ground breaking. It wasn’t just another monster of the week sci-fi show. Had the network gotten behind the series and given it another season or two had they not played musical chairs with its time slot and had they given them the resources to make the show the best it could be the future of Star trek could have been much different. Unfortunately we’ll never know. The third season had its flaws but we wouldn’t have even gotten that had it not been for a fan letter writing campaign that saved Star Trek for another year.

I wonder what the people who made the decision to cancel the show thought back in the early seventies as syndication kicked in and Star Trek grew and grew instead of fading away.

One additional thing concerning the post cancelation pre movie era. I would like to recommend a book called Star Trek Phase II: The Lost Series. It covers the time in the seventies where Star Trek was going to be brought back to TV but eventually morphed into Star Trek: The Motion Picture. The book explains how a new network was to be formed with Star Trek as its flagship. It goes on to tell the story of the proposed series and how it eventually became the film. There is concept art interestingly enough some even done by Star Wars icon Ralph McQuarrie, the show’s writers bible first drafts of In Thy Image which would become the movie and scripts of the first proposed thirteen episodes several of which were adapted and used in The Next Generation.

Doctor Who: Initial Reactions to Listen

September 14, 2014 in Dr Who, Guest Blogs by GuestBlogs

A Guest Blog by Hevy782

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Listen. At the end off every Doctor Who story I usually come out with a good idea of what I thought the episode. At least a positive or negative reaction. Sometimes this can change drastically on later viewing and others it stays relatively the same. This one, however, left me with no idea as to whether I liked it or not. Now that may sound odd but when it comes to this story there are few words to describe it with other than odd. It’s definitely a unique episode of Doctor Who and one of the most far afield things that they’ve ever attempted but at the same time it felt like the same old stuff in terms of Moffat’s writing. So why can’t I just dismiss it as either a good or a bad episode? Well, now that I’ve had a night to sleep on it, I think I’m in the ready to put pen to paper (or more accurately finger to keyboard) and write down my thoughts on Listen.

First off, I think its fair to say that I went into this episode expecting something totally different, more along the lines of Moffat’s earlier work in Doctor Who. I couldn’t of been more wrong there. Thing is, in recent years due to the split season stuff he’s only really been writing premieres, finales and specials so this is the first time in a long time he’s got to write something small. And in some senses (namely returning to Gallifrey when the Doctor was really young) it was massive but in others it was small as it was basically saying there’s a rational explanation for everything that scares you in the night. On the topic of scares, was this episode scary? I’m afraid not. Maybe most of the scares we spoiled but the trailer but the only one that really got to me was the one where someone suddenly got in the bed. This story also advances the relationship between Clara and Danny but this time it fits in a bit more with the story rather than being stuck on the side like it was in Into the Dalek. However, the arrival of Orson Pink did feel quite stilted and could’ve been done a bit better. Also, here’s something interesting to note, he was wearing the Doctor’s Sanctuary Base Six space suit but the Doctor can’t of given it to him because he was wearing it before he took off. Is this a plot whole or is this a subtle hint as to what’ll happen between the Doctor, Clara and Danny in the future?

Now I’m going to go back to something that was said a fair while before series eight began. Beforehand we were promised a raw new direction by Steven Moffat and so far, despite some cosmetic stuff, very little has changed in what I believe to be the shows core and that is the writing. This story has loads of stuff which was typical of Matt Smith’s era and while it’s not exactly timey-wimey it’s still definitely the same style of writing in a lot of ways. We keep jumping around the time line and also have a moment which will rip the fan base in half and that is the scene with Clara once again affecting the Doctor’s past. Now I didn’t mind this scene a whole lot to be honest. It was nowhere near as bad as what we had in The Name of the Doctor and the reveal was handled a lot better too. It also gets Gallifreyan society right in that you’re not born a Time Lord, you have to go to the academy and earn that title. The link to The Day of the Doctor was nice too.

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Overall, there’s a lot of typical Moffat in there but it’s done in a way that is much more bearable this time around. So I think for the time being I’m going to settle on a rating of eight-out-of-ten. A step down from last week but not a drastic and costly slip up either. However, I can’t see much rewatch value whatsoever in this one which is unfortunate but maybe it’s just me that thinks that. But what about Time Heist? At first I was not too excited about it but after watching the trailer I think that it could end up being another fun romp like Robot of Sherwood. So, until next week, be sure to sound off your thoughts on the episode in the comments below. Listen.

Farscape : Incubator

September 13, 2014 in Farscape by Firebird

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With his wormhole research stalling and his situation desperate, Scorpius inserts the original ‘neurochip’ into his own brain. He hopes to make contact with the clone of John’s personality that spilled into the chip when it was in Crichton’s brain. When they meet, Scorpius shows the ‘Crichton Clone’ his terrible, brutal upbringing at the hands of the Scarrans, hoping to persuade him to decode the wormhole equations. Meanwhile, a defecting Peacekeeper scientist offers the real Crichton the secret of wormhole travel in exchange for Moya.

Synopsis

Finally we get the back story for Scorpius. It’s not pretty, but then again, neither is he.

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The defector does surprisingly seem to be on the level, unfortunately the information she has to sell turns out not to be as useful as she’d hoped and the liquefaction that previous test pilots had suffered was only delayed by her modifications.

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For a few moments it seems possible that the Crichton neural Clone might have been swayed by Scorpius’ tale of woe but no, he says that the secret isn’t his to give. Scorpius does get a little information out of the exercise, a few short sequences, which may help the research, but nothing like the complete answer he was aiming for.

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The chip is destroyed in the process and the Crichton Clone along with it.

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Star Trek : All Our Yesterdays

September 8, 2014 in Guest Blogs, Star Trek by GuestBlogs

A Guest Blog by Mindless-Droid

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This week’s classic Star trek episode is All Our Yesterdays. The Enterprise heads to a planet whose star will go nova in three hours and finds everyone gone except the librarian of the planet. The library happens to be a time machine and Kirk hearing cries for help inadvertently steps through the time machine into the past. Spock and McCoy attempting to find the captain are also accidentally sent back to a different point in time. As time runs out they must each find a way back before the sun explodes trapping them in the planets past forever.

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Most people’s reviews I read like this episode but I for one find it filled with illogic to coin a phrase. First off I’m not one for time travel in the Trek universe. Okay City is great but The Naked Time should have been linked to Tomorrow is Yesterday because after that episode we are in a three day earlier alternate time line and I can forgive the non-chalet way we slingshot around the sun to save the whales because well colorful metaphors, newclearar wessels (spell check had no suggestions for that one) and it was just plain fun. We won’t mention Assignment: Earth.

Now seriously how did the Enterprise find out that the star would go nova and in three hours no less? Who told them? I’m no expert in stellar physics but even in the Trek universe would it be possible to predict to the second when a star would go nova. Anyway their scans show everyone is gone so they beam down anyway. After finding out there is nobody left why not just move on it would seem that the Sarpeidions got out of dodge. A quick side note one thing that this series always had was really cool planet and star system names. Let’s say that they found the planets inhabitants still there what would they have done anyway with only the Enterprise how many people could they have saved? We’re here to rescue your planet but we can only take a couple hundred people the whole mission makes no sense.

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Next we meet the librarian. A librarian named Mr. Atoz get it A to Z and we go round and round asking questions getting vague answers so that the hero’s don’t know it’s a time travel library. Another thing that bugged me the Sarpeidions can manipulate time but didn’t have space flight capability seems a bit odd. Back to Mr. Atoz first he doesn’t recognize an alien in Spock and if everyone had left why was he still there if he sent the last person off why not just pop in his disk and be gone it’s not like he had to lock the place up or anything it would be vaporized in a couple of hours.

So Kirk hears a scream and steps through the time portal Spock and McCoy follow him through and get transported to a different place without changing the disc but later we see Atoz change the disc before he can escape. Then Kirk can talk to Spock and McCoy through the time portal through the library through the time portal into the other past what?

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Spock has now figured out that the Sarpeidions have escaped into the planet’s past which brings up a whole new set of questions. In The City on the Edge of Forever McCoy’s one simple act changed all of history now you have an entire planets population mucking around in the past. You would think the library would be blinking in and out of existence. With so many people you would think someone would accidentally alter the timeline somewhere along the line. What if some person escaped into the past and accidentally stops the person who discovers time travel from discovering the secret and all of a sudden the whole planet reappears in the present. I could hear the collective “Ah crap” from the entire population.

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This episode was the Spock gets the girl episode. Being transported 5000 years in the past Spock takes on the characteristics of the Vulcans of that time without logic he falls for Zarabeth who they meet and who has been imprisoned in the past. This is another point that I didn’t like if the Atavachron prepares you to enter the time you choose and Spock wasn’t prepared for that time period wouldn’t he stay as he was? Also his phaser won’t work because of the time period but the tri-corder does. Kirk trapped in the Salem witch trial period of the planets past had some good moments. When the locals heard him calling out to Spock and McCoy Kirk called McCoy Bones that was pretty funny just like Catspaw when the skeleton was hanging next to McCoy and he called him Bones.

So Kirk convinces the prosecutor to take him to the portal and he returns to the library and forces Mr. Atoz to help him find the period into which Spock and McCoy have been sent. They find the right disc just as Spock and McCoy reach the portal nice coincidence. At first Spock tries to push McCoy through and remain with Zarabeth but he can’t get back alone because they had come through together why that is who knows. So after a tearful goodbye Spock and McCoy return to the library. Mr. Atoz switches discs and makes his escape into the past. Spock assures McCoy that all is as it was and with time ticking down why are they standing around kibitzing get back to the ship time is running out and Scotty is having a cow. Anyway McCoy says to Spock that it did happen meaning Spock’s emotional behavior. Spock admits it but says that she Zarabeth is dead, dead and buried. Okay here’s another thing she was banished alone in the past who buried her. Well they make it back to the ship just in time as the star explodes and the Enterprise warps away.

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A couple of bits of trivia. The re-mastered shot of Beta Niobe exploding is pretty cool and the effects were based upon actual photos taken by the Hubble Space Telescope. No red shirts were harmed in this episode actually no other crew member is seen in this episode although we do hear Scotty on the communicator. This was the last adventure of the Enterprise according to the Star date even though it aired before the episode Turnabout Intruder.

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