Thunderbirds: The Perils of Penelope

December 31, 2015 in Cult TV, Guest Blogs by GuestBlogs

A Guest Blog by Hevy782

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The show’s third episode certainly doesn’t feature a standard rescue operation for International Rescue but instead has their London agent, Lady Penelope, trying to unravel an international conspiracy. It begins with the launch of the Sun Probe rocket (which does make a return later in the series) where a new top secret fuel is being tested. Following this however, the scientist is kidnapped. Penelope and Parker’s investigations into the disappearance take them from Paris to Anderbad. While Parker takes the car, Penelope journeys on the train that goes through the Anderbad tunnel. However, when the train comes out the other side of the tunnel, Lady Penelope is nowhere to be found. Virgil, Gordon and Alan are then called in and the former two go down the tunnel to investigate while Alan waits with Parker. Halfway down the tunnel they find the nefarious blaggard who kidnapped the scientist and find that he is threatening Penelope’s life in order to get the formula. While Virgil frees Penelope, Gordon takes down the villain and rescues the scientist. With the world safe, they return to the café in Paris and watch the fireworks in the sky above.

Now before I share my thoughts on this I’m first going to go through some trivia about this episode as while it’s the third episode in broadcast order it was actually the twelfth episode to be produced and the twelfth episode chronologically as well. So why were they broadcast out of chronological order? Well all the episodes were pretty much standalone so it doesn’t make too much difference so only keen fans would notice the minor discrepancies here and there meaning that it didn’t affect things greatly. The reason behind it was probably to avoid having episodes that were similar to each other being broadcast too close together and whatnot but I’m not sure if anyone really knows the real reason behind it, I’m only guessing. Now admittedly what I just gave you was the simplified version as often two episodes would’ve been shot at the same time by different production teams and some of the earlier episodes in the production order required extra shooting to extend them from the planned twenty-five minutes to the full fifty-minutes that were order. No-one really knows exactly what happened because it was so long ago but what I do know is that The Perils of Penelope was a fantastic episode. Yep, I am finally talking about the episode itself and as I mentioned earlier, it’s as bit of a political thriller. That side to the story instantly got me on board and while it was rather simple compared to other political thrillers it’s easily forgiven as there’s not much you can do with that in fifty minutes without making it feel rushed. So I guess the best way to describe it would be as a bitesized political thriller with all the fun and spy genre hallmarks that that entails.

The title character herself, Penelope, is wonderful in this and she truly is a great character. It’s just a shame that she sort of gets reduced to the damsel in distress at the end and although she doesn’t scream or anything like that it does basically become her role in the narrative for the final ten minutes. In fact I didn’t really see much need for Virgil, Gordon and Alan to be called in at all other than the fact that it’s an episode of Thunderbirds and it would feel odd without a rescue in it. Not that it was bad or anything but it did feel a little contrived to me. Up until that point though the episode is more or less flawless and the sets look beautiful through and through. I normally wouldn’t talk about stuff like this in relation to most other shows but since it’s all models there’s just something that feels special about it. But anyway, where Penelope goes you’re to find Parker not far behind so let’s talk about him. He is of course a fan favourite and gets some very nice stuff to do in this. Although it is early days so the crew probably haven’t fully realised what a gem they have with Parker so for the most part he’s stuck in the background. He does have his moments though such as shooting Penelope’s poisoned drink.

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As I said before, it truly is a fantastic episode so let’s wrap up now by rating it a nine-out-of-ten once again. While it is only just my least favourite so far (mainly because of the final ten minutes) I still feel really enjoyed it so that’s three strikes in a row for Thunderbirds so far. Will Terror in New York City keep this up? Find out next time as Thunderbird 1 gets caught on camera, Thunderbird 2 comes under fire and Thunderbird 4 goes on a daring underwater rescue. It’s going to be a race against time but until then be sure to sound off your thoughts on the episode in the comments below.

Thunderbirds: Pit of Peril

December 12, 2015 in Cult TV, Guest Blogs by GuestBlogs

A Guest Blog by Hevy782

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Thunderbirds reviews return at last and we’re back with Pit of Peril, the second episode of the classic series which features the first appearance of the Mole, the most famous of Thunderbird 2’s pod vehicles. Another famous vehicle in this episode is the Sidewinder which, ironically enough, winds up on it’s side after a sinkhole opens below it during a test run. It’s a US army vehicle built for getting troops where they’re need quickly during the bushfire wars which apparently keep breaking out, almost certainly a reflection of the Vietnam war which was raging while this was being made back in the sixties. So then, with the Sidewinder trapped in a blazing pit and three crewmembers trapped aboard it’s imperative that they are freed fast. The US army makes multiple attempts but without the right equipment they fail to make any breakthroughs. Eventually they call International Rescue for help and Jeff sends Scott, Virgil and Brains into the danger zone. After Scott assesses the situation, Brains comes up with a strategy. Virgil is lowered into the pit in a heat resistant suit to lay charges to clear a path for the Sidewinder. Scott then uses the Mole to get Virgil back up to the surface. Once there, he uses two recovery vehicles to pull the Siderwinder and crew out of the pit. When the crew awake they thank Scott and the whole of International Rescue for saving their lives. They are then sent to hospital to be treated for their injuries while Thunderbirds 1 and 2 return to base from another successful mission.

Now as good as Trapped in the Sky was there’s just something that makes me love this episode even more. Right from the start it has such an epic quality to it and it’s honestly one of my favourite openings ever. The music is genuinely fantastic and the model shots are mixed in very well with what is presumably stock footage of Peru. And then slowly we build to the reveal of the Sidewinder as the animals flee from it’s path of destruction (which funnily enough is the title of another episode but we’ll save that one for much later) as the giant feet stomp across the landscape and the claws uproot the trees. Then we finally get the full reveal and while I can’t deny it looks a bit top heavy it’s still a magnificent creation. Cut to a bit later there’s another wonderful shot of it in the pit the inferno is raging around it. To be honest this episode has so many beautiful shots that I could go on all day but, sadly, I can’t.

Instead I need to talk about the plot as this one certainly isn’t all flash and no substance as you could hopefully tell from the précis I wrote although I don’t believe I’ve done it justice. We start off with the focus not on International Rescue but instead on the members of the US army who are testing the Sidewinder. The characters are established very quickly and while we only really have a double act between General Peters and Lieutenant Ralph with a couple of other characters on the side but it’s never the less interesting to see these one of characters get such attention during the first half. It’s a testament to how much television has changed really as you’d never expect to see one-off characters getting such a great deal of attention these days. International Rescue themselves don’t really get involved until about halfway through and it’s at that point which the focus shifts to them and their rescue attempt. It’s a structure that may feel odd to a modern audience but it actually works really well with the key driving force being the rescue rather than the characters.

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Now with all that said I think we’ve reached a suitable point suitable point to rate this story and like last time I am giving it a nine-out-of-ten although it’s an even stronger one this time. What stopped it getting full marks? Just a few things here and there really. Especially a certain error in scale which probably annoys me way more than it should but anyway, out next stop is The Perils of Penelope where Lady Penelope and Parker must uncover an international conspiracy but until then be sure to sound off your thoughts on the episode in the comments below.

Doctor Who: Initial Reactions to Hell Bent

December 7, 2015 in Dr Who, Guest Blogs by GuestBlogs

A Guest Blog by Hevy782

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Usually when an episode disappoints me these reviews give me an opportunity to get it all out of my system and then look forward to the next episode with a somewhat positive frame of mind. This episode however I just want to forget about as soon as possible and immediately move on to the strangely appealing Christmas special, The Husbands of River Song. I mean I’m usually not a fan of the more whimsical specials but this one’s got River Song instead of Clara so that’s a definite plus straight away. Admittedly I’m not the biggest River Song fan out there but she’s been growing on me as of late and I’m really interested in seeing the tour de force of Capaldi and Kingston, especially because she won’t know who he is to begin with. It’s also got a shouting head for a villain so what’s not to love there? Okay, so I guess I should stop talking about The Husband of River Song now as I do want it to appear as if I’m taking this review somewhat seriously. So then, let’s actually start talking about the few positives and many negatives of Hell Bent.

Now I think it’s safe to say that this episode turned out in a way that none of us were expecting it to. For some that’s a good thing but for many like myself it’s a very big negative. This was supposed to be the grand return of Gallifrey after so many years of absence but it instead ended up being yet another departure for Clara and an unnecessary one at that as we had already experienced a fitting end to her story in the form of Face the Raven. I mean there was so much potential here for an epic Gallifrey story with the Doctor trying to bring down Rassilon and yet the most legendary Time Lord of all time just gets on a shuttle and leaves because the Doctor told him to. And it is from that point which the story goes down hill for me.

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Now it’s only fair that I dedicate this next section of the review to the episode’s positives as believe it or not I do believe it has some. Most of them come from before Rassilon gets on a shuttle and flies off though. Peter Capaldi is of course one of them and while his performance may have taken a step down from last week it is still nothing short of incredible and it’s amazing how much he gets across without saying a single word. There’s also some good comedy there as you get into the routine of the woman going to the Doctor, the Doctor going outside and then the Doctor immediately going back in again. The General was also a welcome return from Day of the Doctor and Ken Bones did a good job expanding on the small role he was given there and he turns it into quite a likeable character actually. The female version was good too but I honestly don’t see why we had to get rid of the magnificent Ken Bones for what was ultimately nothing more than a cheap political move. It was also nice to have the Sisterhood of Karn back in this even if they didn’t do a whole lot.

Some of you may be a bit confused as to why I left Donald Sumpter’s Rassilon out when I was talking about the positives and it’s not because he was poorly acted but because the character just wasn’t written like Rassilon should be in my opinion. He was portrayed as more of a standard Time Lord as opposed to the legendary one he’s supposed to be. But anyway, let’s now talk about where this episode ultimately went wrong and that was when it bought back Clara. I didn’t care much about her before and I care about her even less now. The way it was written feels as if I’m supposed to care more for the Doctor and Clara and see the Time Lord’s as the villains but I was actually cheering the Time Lords on during this. It really did make Clara feel selfish in the way that she put herself before the safety of the timeline and when she called the Time Lords cowards for hiding at the end of the universe I was just sat there thinking that they’ve gone to the end of the universe so that the Time War doesn’t restart. As you can imagine, none of this rubs off well on Clara but hopefully now that she’s gone it’ll be a fresh start for the Doctor, especially since he won’t be able to remember her. Speaking of that, I’m glad they didn’t wipe Clara’s memory instead as that would’ve just been a blatant rip off of Donna’s fate so that’s another thing the episode has going for it, I guess.

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Overall, I’m going to give Hell Bent a four-out-of-ten and now that I’ve done that I can go back to talking about my odd sense of anticipation for The Husbands of River Song. Maybe it’s just because I’ll take anything after watching this episode or perhaps I just want a light romp after all the serious stories we’ve had in series nine but either way I’m looking forward to watching this one on Christmas day. So then until we see it a few weeks be sure to sound off your thoughts on either this episode or if you’re like me and you’d prefer to talk about the next one instead then you’re welcome to do both in the comments below.

Doctor Who: Initial Reactions to Heaven Sent

December 2, 2015 in Dr Who, Guest Blogs by GuestBlogs

A Guest Blog by Hevy782

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Since I was nice last week and started off by discussing the death of Clara I think it’s only fair that I be a bit mean this week and leave this week’s big event, the return of Gallifrey, until the end. But being mean isn’t the only reason for doing this. I’m also doing it because Gallifey’s return doesn’t really feed into this week’s story like Clara’s death did last week. In fact this episode could very easily be considered a stand alone one similar to the way The Girl Who Died and The Woman Who Lived can be seen as two stand alone episodes. But anyway, I’ll wait until next week until I say whether or not I think it’s a stand alone as it doesn’t seem as simple as that at the moment. So then, this story has been of great interest to me for a while now, ever since we found out it was a one hander. I was intrigued by how they were going to handle it and to just simply have a showcase of Capaldi’s amazing acting skills. And obviously coming out of this Capaldi’s acting is one of the things you most remember. Then we had the trailer and I was really liking the otherworldly quality it had to it. I mean a story about the Doctor trapped in a castle which rearranges itself while a nightmarish creature is slowly pursuing him, what’s not to love about that?

Well this may surprise some people given the amount of positively this episode has got but I do feel there are some things not to like about this episode. Starting off with a simple one, the montage goes on way too long. I get what it was trying to do but it was basically five minutes worth of everything we’d seen up to that point on a loop. Two minutes worth would’ve been enough to get the point across nicely, three at a push. Another thing that annoyed me about this episode was the Sherlock-esque sequences in the Doctor’s mind. It broke up the flow of the story in my opinion and while it was more tolerable on a second viewing I still felt that they were unnecessary and the point could’ve easily been got across in a line of dialogue or so. And then inside his mind he’s trying to impress Clara, which is a bit creepy but that’s not my criticism here. My criticism here is that Clara is dead and the show’s still trying to convince me that she is the most amazing woman in the universe and no-one has ever come close to her and no-one ever will. Now it’s not that I don’t want her death to affect the Doctor but I would prefer the show not to treat her as the Doctor’s whole world. He’s had many companions before and will probably have many companions after, each are special in their own way so stop trying to push Clara as the god of all companions. It just feels forced and makes me like her even less, which is saying something as she’s already dead. Now I know I’ve been quite negative up to this point but I did like this episode really. It’s just that negatives are a lot easier. What I’m basically trying to say here is that if I haven’t mention it up to this point then I think it’s brilliant. The Veil and it’s slow but constant pace is a terrifying creation. The fact that it’s point of view is displayed on the screens only adds to that. I’m just happy that Steven Moffat’s come up with an original idea for once and done a good job executing it. Seeing as a lot of his previous scripts as of late have been rehashing his quite a few of his old ideas this one’s a breath of fresh air.

So now we come to the moment you’ve probably all been waiting for, the return of Gallifrey. Given that it’s going to play such a big role in next week’s episode there’s little to actually talk about in relation to it here but I will try my best as I’ll need as much room as possible next week to talk about all the other hopefully awesome things that may happen in that episode. So then the most obvious question to begin with would be am I happy that it’s back? And the answer to that would be of course I am! However, I’m not very happy with the reveal. Partially because it was spoiled by really bad marketing which revealed it weeks in advance. Secondly because This is Gallifrey from series three wasn’t playing during the reveal. It’s some of the best music the show’s ever had and would’ve made the scene so much more epic compared to the rather standard incidental music that we ended up getting. Hopefully we’ll get to hear it next week as that theme is simply beautiful. Look it up if you’re not sure what I’m on about. Now one more thing before I rap this up, I’m going to put a theory out there. Remember how Skaro was invisible in The Magician’s Apprentice? What if Gallifrey was invisible in Death in Heaven and Missy was telling the truth after all. Just think about it for a bit.

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Overall, despite my review seeming quite negative on reflection I did really like this episode. In fact I’d go so far as to say its a eight-out-of-ten in my eyes. Now there were a couple of other things which I didn’t mention here that slightly bothered me but depending on how Hell Bent turns out I could be fine with them so I’ll give this episode the benefit of the doubt in that respect. So hopefully Hell Bent will provide a satisfactory conclusion to those loose ends as well as providing us with a simply epic finale, something which I feel we haven’t had since The Big Bang. So until we see it next week be sure to sound off your thoughts on the episode in the comments below.

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